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The Above The Rim soundtrack sold more than 2 million copies on the strength of Warren G and Nate Dogg’s “Regulate” and The Lady Of Rage’s “Afro Puffs.” Also in 1994, Death Row Records took the innovative step (in the rap world, at least) of releasing a Murder Was The Case short film and soundtrack. In 1994, the imprint expanded to soundtracks. With the release of its first two albums, Death Row was now rap’s preeminent company. Rather, the lyrically sharp Kurupt, rapper-producer Dat Nigga Daz (now known as Daz Dillinger or simply Daz), the esoteric RBX, and the no-nonsense The Lady Of Rage formed the core of Death Row’s initial roster of acts, displaying a remarkable stylistic range. Initially branded as Tha Dogg Pound, these artists showed that this was not a two-person operation. The Chronic also soared thanks to the rappers who joined Dr. The Chronic is one of the most acclaimed releases in music history, earning a spot on Rolling Stone’s 500 Greatest Albums Of All Time list, Spin’s “90 Greatest Albums of the ‘90s,” and one of Time magazine’s 100 greatest albums of all time.
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He took hip-hop from the crack era to the weed era.” “Dre came with ‘G’ Thang’ and slowed the whole genredown. “We made records during the crack era, where everything was hyped up, sped up and zoned out,” Public Enemy’s Chuck D said. The new sound was so starkly different, so mesmerizing that it was instantly recognized as a line of sonic demarcation. The Chronic stands an artistic milestone and a commercial juggernaut, selling more than 3million copies less than a year after its Decemrelease date.
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On the former, Dre and Snoop detail a day cruising in the streets of Los Angeles, while on the latter they admonish their rivals. The Chronic’s other singles “Let Me Ride” and “_ Wit Dre Day (And Everybody’s Celebratin’)” showcased bright and heavy funk sonics, respectively.
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One such track was the lead single “Nuthin’ But A ‘G’ Thang.” The song arrived with a breez ysonic vibe, ditching the menace of the ghetto streets for the feel-good vibes of a summer barbeque, an aura that carried over to the song’s landmark music video. Snoop Doggy Dogg, who appeared on more than half of The Chronic’s 15 selections, rapped on several songswith a laid-back, conversational presentation that was as distinctive as it was chill. Similarly, Dr.Dre largely eschewed the gruff, menacing type of delivery he flexed on much of N.W.A’s material for a tone that was still muscular and powerful, but much less aggressive. Dre flipped the aggressive, loud, and angry feel of the music into something that was crisp and sometimes smooth, almost inviting. The album changed the sound and the direction of rapas a whole and gangster rap in particular, as Dr. Death Row built on that promise with its first full-length project, Dr. Dre and his new protégé Snoop Doggy Dogg appeared on the title track of the Deep Cover soundtrack. Dre and Marion “Suge” Knight, Death Row Records made an instantand dramatic impact in 1992 when Dr. The Los Angeles-based company, formed in 1991 and now celebrating its 30th anniversary, catapulted gangster rap into mainstream consciousness, housed a number of superstars, and showed how successful black-owned rap labels could be. Death Row Records changed music and the music industry.